As you speed up, the drone tilts downward, and you can pan the camera up to compensate. You can tilt that camera up and down, but that is primarily there to compensate for speed changing the angle of attack of the drone. To get a steady shot, you need to execute a steady shot. While lines like the Inspire, Phantom, and Mavic have a built-in 3-axis stabilizer for the camera that allows for getting stabilized images while you shoot, the FPV camera is built into the unit directly. The FPV could potentially be the "simple to purchase" option to get someone up to speed and work as a gateway to faster drones.īut it's definitely not a filmmaking drone. Most racing drones require customization and are harder to fly. But it is sort of an entryway to drone racing for those curious who want an easy way to learn. This isn't a "racing" drone per se it's too heavy to be very competitive in the racing space. The FPV drone is dedicated to one thing: acrobatic and high-speed fun flying with a first-person view for the operator. There are going to be times where you might want to shoot with this, but it's going to be less useful as a film tool than something like the new Mavic Air 2S. Filmmakers are notorious for finding ways to bend things to our needs.ĭJI was nice enough to let us test fly it, and we tested it at Calvert Vaux and in upstate New York and walked away wildly impressed with how fun it is, but still cautious about its usefulness for filmmaking. When DJI first released their FPV drone, we were cautiously curious: while not directly targeted at the filmmaking community, some of the speed and agility it offered seemed like it might be useful.
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